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Tuesday, May 26, 2015

The Black Star Project, USA

Doubles for Black Boys; Long-Term Gains for Kids Leaving Poor Neighborhoods; Blacks, Latinos and Poor Borrow Most Money for College; Scho

The Black Star Project, USA


Suicide Rates Doubles for Black Boys
Long-Term Gains for Kids Moving From Poor Neighborhoods
Blacks, Latinos and Poor Borrow More for Colloege
Scholarships for Athletes with Asthma
Atlanta Public Schools Did Well Without Cheating
Positive Black Men Needed
Mass Black Male Graduation
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Suicide Rates Doubled Among African-American Boys 
Ages 5 To 11 Since 1993
(What is it that African American boys see about the world in which they live and their futures that causes them to kill themselves?  And to kill others?) Image: John Vachon/Wikimedia Commons

May 23, 2015
Researchers have found that rates of suicide among African-American children, specifically boys, have doubled since 1993, surpassing for the first time the rates among white children which dropped over the same period.

The study published in the journal JAMA Pediatrics Tuesday, was based on data obtained from the Centers for Disease Control and Prevention which gives a breakdown of causes of death in 657 cases of suicide among children ages five to 11 between 1993 and 2012, 84 percent of whom were boys.

Researchers were surprised to find that suicide rates among black boys ages five to 11 nearly doubled between 1993 and 2012, rising from 1.78 to 3.47 per million. This happened while the rates among white boys of the same age group decreased from 1.96 to 1.31 per million.

Jeffrey Bridge, epidemiologist at the Research Institute at Nationwide Children's Hospital, Columbus, Ohio, who led the study, told CNN that the results were surprising because suicide rates have historically been higher among whites across the age groups.

"Suicide rates in the U.S. have historically been higher among white individuals across all age groups. We were very surprised to see higher suicide rates among black children over time."

"I was shocked, I'll be honest with you. I looked at it and I thought, 'Did we do the analysis correctly?' I thought we had made a mistake," he said.

To confirm the trend, the researchers waited for a year until the 2012 data was released by the Centers for Disease Control and Prevention.

The data only confirmed the trend they had observed.

Click Here to Read Full Story
Click Here to See JAMA Report


Long-Term Gains Seen for Kids Who Leave Poor Neighborhoods
Researchers cite role of school leniency

By Liani Heitin
May 19, 2015

The younger children are when they move out of impoverished neighborhoods, the better their long-term outcomes are, including college-attendance rates and later salary levels, according to two studies released this month.

Those results may derive in part from the likelihood that children in low-poverty neighborhoods are more liable to be given second chances in any number of situations, said a researcher who worked on one of the studies.

"There are less permanent consequences for youthful indiscretion in better neighborhoods and modestly better schools," said Lawrence Katz, an economics professor at Harvard University and co-author of a new analysis of the Moving to Opportunity program, a federal anti-poverty initiative from the mid-1990s in which families were randomly selected for vouchers to move to higher-income neighborhoods.

The relative leniency of schools and authorities in lower-poverty areas may have a positive effect on educational outcomes even if the academic programs don't differ significantly, researchers suggested. Previous analyses of the Moving to Opportunity program were unencouraging. Moving from a high-poverty to lower-poverty neighborhood, they found, had no positive effects on parents' earnings or on students' academic achievement.

But the new analysis by Harvard University researchers Raj Chetty, Nathaniel Hendren, and Mr. Katz indicates that the community where children live has a significant impact over time-and the longer they live in low-poverty neighborhoods, the more opportunities they'll have as adults.

The researchers linked the data from the Moving to Opportunity experiment-which was conducted from 1994 to 1998 and included about 4,600 families from Baltimore, Boston, Chicago, Los Angeles, and New York-to federal income-tax records. They found that children who moved to low-poverty neighborhoods before age 13 earned an annual income as adults that was $3,477, or 31 percent, higher than their counterparts who stayed in high-poverty neighborhoods.

They were also more likely to attend college and attend a better college, and less likely to live in a low-income neighborhood as adults as well. The women were also less likely to be single parents. "This overturns the conventional wisdom on the effects of the Moving to Opportunity study," said Adam Gamoran, the president of the William T. Grant Foundation, which funds research on how inequalities affect U.S. children, though it was not involved in the new studies. "It's leading us to believe that moving to a new neighborhood does have effects on longer-term outcomes."

Click Here to Read Full Article



Minorities and poor college students are shouldering the most student debt


By Danielle Douglas-Gabriel
May 19, 2015

A day away from crossing the stage at Montclair State University's graduation, Evangelia Stone reflects on her journey from community college, the "amazing" professors she met along the way and the $50,000 in student loans she took out to get a bachelors' in sociology.

Stone, the first in her family to graduate from college, qualified for the maximum award in Pell Grants, the federal program that provides money for the country's poorest students to attend college. The free aid was enough to cover all her costs at Atlantic Cape Community College in southern New Jersey, but it barely paid for a quarter of the more than $20,000 in-state tuition, room and board at Montclair. The school offered Stone no scholarships or grants, but she received several thousand dollars from the New Jersey Commission for the Blind and Visual Impaired. It wasn't enough.

"Nobody should have to spend this much money, period. But in-state students going to public universities...the fact that I'm leaving with this much debt is absurd," said Stone, 25, who plans to pursue a master's degree in social work at Rutgers University this fall. "Higher education is supposed to be a public good, not just a private purchase that wealthy students get to enjoy."


Amid state cuts in higher education funding and modest increases in federal grant aid eclipsed by rising tuition, African American, Latino and low-income students like Stone must borrow to get a degree, according to a new reportfrom liberal think tank Demos.

Eighty-four percent of college students with Pell grants graduate from four-year public schools with debt, compared with less than half of students without the need-based grants, the report said. While less than two-thirds of white graduates from public schools borrow, four out of five black graduates take out loans for college. And black students who do borrow come out with more debt than their peers.

"We have now entered a new phase where student borrowing is now the primary way young people pay for college," said Mark Huelsman, a policy analyst at Demos and author of the report. "This shift places an unequal burden on communities that have historically been denied an opportunity to gain and leverage wealth."

Click Here to Read Full Story 
An estimated 100,000 Black teachers were retired, fired, removed from or "structured out" of education in America since 1990.  After the "Atlanta Massacre", few Black students will want to become teachers and schools won't want to hire Black teachers.  Is the plan working? - Phillip Jackson, The Black Star Project
--------------------------------------------------------------------

The Atlanta Cheating Scandal:  Students Were the Victims, but the School System Suffers Too

By Eric Cooper and Co-authored by Phillip Jackson
May 19, 2015
Eric Cooper
Over the last 13 years, Atlanta students have made significant progress on another test -- the widely respected National Assessment of Educational Progress (NAEP), administered through the U.S. Department of Education and considered the "gold standard" of educational testing in the United States. 

In a comparison of grade 8 reading assessments for Black students in Atlanta, in Georgia and in the United States between 2002 and 2013, the U.S. percentage of Black students at or above grade level increased from 13 percent to 16 percent, and the Georgia percentage increased from 14 percent to 17 percent. But Atlantic Public Schools' Black student scores increased a stellar 10 points, from 5 percent to 15 percent.

If these NAEP scores are any indication, then Atlanta educators under the leadership of former Atlanta Superintendent Beverly Hall, who died of cancer in March, did something right. We're not spending enough time figuring out what it was and how other districts can duplicate those results.

"The bottom line in this entire discussion," Smith wrote, "is that for the most part, the gains for Atlanta schools from 2003 to 2011 are for real!"

Besides, if the APS system had massive cheating, as prosecutors claimed at trial, then it would follow that grades would have spiked during the cheating, then gone back down once it stopped. After a small dip, however, scores continued to rise. We believe the groundwork, momentum, and high expectations for the students and educational reforms instituted in Atlanta had something to do with that. Other schools and school districts can benefit from Atlanta's teaching methods and experience. What worked on the NAEP ought to be shared.

Approximately 100,000 African-American teachers have retired or been terminated since the late 1990s. Yet experts continue to call for more "minority" teachers in the classroom who can better relate to an increasingly diverse student population. The Atlanta cheating case may be responsible for just a handful of those terminations, but the damage it does to effective teaching and our system of justice is profound.

Click Here to Read Full Story and to "Like" Our Page
Positive Black Men Asked to Volunteer as Mentors 
at 
Wentworth School
1340 W. 71st Street
Chicago, Illinois
Any Day in May 2015
Call 773.535.3394
Recommend a Black Male High School Graduate for The Mass Black Male Graduation Ceremony on Satruday, June 20, 2015 with Keynote Speakers Attorney James Montgomery and Hip Hop Artist Jasiri X. Call 773.285.9600 to register the young Black men at your high school and in your life.
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Starving Artist 2015, LAUNCH Residency & VIP Preview Reception to Hebru Brantley

 

Chicago Artists Coalition




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Latest News from Chicago Artists Coalition




Chicago Artists Coalition: Building a Creative Marketplace.
Building a Creative Marketplace
  • BOLT Residency 2015-2016
  • Hebru Brantley Exhibition at Vertical Gallery: VIP Preview
  • LAUNCH Invitational Residency returns to CAC!
  • STARVING ARTIST




"Reference Rot"
Opening: Friday, May 29, 2015, 6-9 p.m.
The artists featured in HATCH Projects exhibition, Reference Rot all share a penchant toward the informational, the didactic, and the moralizing – traits normally spurned in the mainstream contemporary art world.
Like Hansel and Gretel attempting to re-trace their steps only to find their bread crumbs gobbled up, artists Rachel E. Foster, Maya Mackrandilal, and Ryan Thompson have done exhaustive research in the process of their projects, but their sources may not be evident in the final product.  While audiences often times implore artists to reveal more information about their sources, the artists in Reference Rot embrace the fractured, disconnected relationship between the originating information and the mutated product.
"Reference Rot" is curated by Jaxon Pallas.
Read more about "Reference Rot".
Through May 17, 2015.
Photo: Screen capture from found video (‘Therapeutic uses of Crystals, pt 2’), featuring Marcel Vogel.



"A Challenge to the Summer Group Show"
Opening: Friday, May 29, 2015, 6-9 p.m.
The Chicago Artists Coalition is proud to present A Challenge to the Summer Group Show: BOLT Alumni Exhibition & Dialogue, an experimental survey and series of events that directly acknowledge and engage its artists and audiences.
The BOLT gallery will serve as a dynamic space for former Residents to showcase current work and to discuss their artistic development in recent years. Participating artists: Madeleine Bailey, Sarah and Joseph Belknap, Joseph G. Cruz, Azadeh Gholizadeh and Diana Torres, Norman W. Long, Christopher Ottinger, Kathryn Trumbull Fimreite, Eric Wall, Stacia Yeapanis
A Challenge to the Summer Group Show: BOLT Alumni Exhibition & Dialogue is curated by Teresa Silva.
Read more about "A Challenge to the Summer Group Show".
Through May 17, 2015.
Artwork: Eric Wall, 200 Quatrefoils, 2015, hand-cut acetate quatrefoils and marker on cut dry wall, site-specific dimensions

   

BOLT Residency 2015-2016
Alejandro Figueredo Diaz-Perera is an emerging artist from Havana, Cuba. Working across the mediums of video, photography, painting, installation and text, he presents metaphors to illustrate how relationships are established among social individuals.
Amina Ross is a transdisciplinary artist based in Chicago who creates palatable tensions of repulsion and seduction through visual abstraction.
Aram Han Sifuentes is a social practice fiber artist living and working in Chicago. IL, USA.
David Alekhuogie’s multi-disciplinary practice is centered on photography and investigates memory, technology, media, and power.
David Bodhi Boylan’s work in wood sculpture aims to freeze moments of material transience and imperfection, and elevate them to significant subjects of artistic intervention.
Iris Bernblum is an artist living and working in Chicago. She uses a variety of medias to explore the ideas around tension and release, power and play, fantasy and escape.
Jaclyn Jacunski is a printmaker, sculptor, organizer, writer, and teacher whose artistic considers the of productive engagement of vacant spaces, gentrified neighbors and contested landscapes.
Johana Moscoso is an artist living and working in in Chicago, IL, USA. She uses video performance, live performance, textile and fiber art to explore concepts related to gender roles, migrations, and Hispanic and American cultures from a personal point of view.
Leonard Suryajaya’s work explores intricate and complicated layers of selfhood in the context of cultural background, intimacy, sexual preference, and personal displacement.
Suzette Bross is a photographer living and working in Chicago, Illinois. Her work is in the permanent collections of The Art Institute of Chicago; The National Gallery of Art, DC; the Cleveland Museum of Art; Museum of Contemporary Photography, Chicago; the Block Museum, Evanston; and more.
For More Information About the Artists, Please Visit Our Website: Bolt Residency 2015-2016

   




Hebru Brantley Exhibition at Vertical Gallery: VIP Preview
Friday, June 5, 2015 | 6:00-9:00 p.m.
This event is open to Chartwell Collectors Circle members and guests of members, with RSVP only.
Vertical Gallery

As a follow up to the May 28th studio visit with Hebru Brantley, join Collectors Circle one week later on June 5th for an exclusive preview reception with the artist for his solo exhibition, Memoirs of the Minimum Wage, at Vertical Gallery. Exploring growing up as a middle-class citizen in America, Brantley will show sketches, water colors, paintings, and sculptures that dare us to challenge the norm and question where we find value in society. RSVP to Stephanie Lentz at stephanie@chicagoartistscoalition.org.
This event is part of the Chartwell Collectors Circle membership series.
Learn more about becoming a member.
Image courtesy of Vertical Gallery

   




LAUNCH Invitational Residency returns to CAC!
June 11 - 14, 2015
Please note:
Due to the LAUNCH Residency, FIELD/WORK is on hiatus during the month of June, but will return in July. Stay tuned for an announcement of upcoming educational workshops soon.
LAUNCH Invitational Residency, a nomination-based professional development program for artists emerging from Chicago area undergraduate schools, returns for a third year June 11 - 14, 2015. Combining career development, creative practice, and community-building, LAUNCH empowers students to identify and pursue the next steps in their professional practice by introducing them to the tools, resources, and networks that will help them achieve their goals. Offered to a limited number of promising students selected by faculty, the 4-day-long experience creates an intimate, rigorous environment within which artists learn from both professionals and peers in order to develop a personalized approach to starting a fulfilling career.
LAUNCH Invitational Residency is organized by CAC Education Manager Penny Duff in collaboration with LAUNCH Artist Leaders Anthony Romero and Abigail Satinsky, and CAC LAUNCH Intern Shana Hafner. For more information, please visit the LAUNCH Residency page to read about the 2015 LAUNCH Artist Leaders, Residents, and Guest Speakers.
For the full residency curriculum and FAQ, visit the LAUNCH blog.

   

STARVING ARTIST



Thursday, June 25, 2015
7:00 - 11:00 pm
Venue One (1034 W Randolph St)
One of Chicago's most eclectic and popular events! Bringing together outstanding artists and innovative culinary talent, Starving Artist is a night when great art, great food, and spontaneous performances collide.
CHEFS
This year, guests can expect phenomenal dishes by Tony Quartaro of Formento's, Pat Sheerin of Trencherman, Sean Pharr of The Bristol, Shawn Doolin of Venue One, burgers by Shake Shack, and delicious treats and specialty coffee drinks and cocktails by Lavazza.
ARTISTS
Artists Marissa Lee Benedict and Amber Ginsburg, Andrew Rosinski, Maurene Cooper, and Tori Terzakis, and Stacia Yeapanis will work with the chefs to create collaborative installations.
The evening will feature music by DJ Swaguerrilla, surprise performances by Power of Cheer, video art by Lilli Carré, Theodore Darst, and Snow Yunxue Fu, and an online auction hosted by Paddle8. Bidding begins online June 11.


Special thanks to our host committee and partners:








CAC"s mission and programs are funded by the Alphawood Foundation; Andy Warhol Foundation for the Visual Arts; Arts Work Fund for Organizational Development; Chartwell Insurance Services; Chicago Community Trust; CityArts; The Coleman Foundation; Emily Hall Tremaine Foundation; Gaylord and Dorothy Donnelley Foundation; Hennessy; Illinois Arts Council Agency; John D. and Catherine T. MacArthur Foundation; John E. & Jeanne T. Hughes Foundation; The Joyce Foundation; Leveraging Investments in Creativity, Inc. (LINC); The Richard H. Driehaus Foundation; and the generosity of members and supporters.


Chicago Artists Coalition: Building a Creative Marketplace.







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